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동대문구, 불법주정차 CCTV 단속 완화…점심 유예 늘리고 운영시간 단축_我的网站

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    The 38th Hundred Flowers Awards ceremony is held in Beijing on August 10, 2026. Photo: VCGWhen the 38th Hundred Flowers Awards, one of China's three major film awards, concluded in Beijing on Tuesday, AI emerged as one of the event's new participants, alongside the stars on the red carpet and filmmakers receiving honors.
For the first time in the 64-year history of the awards, this year's edition introduced an AI-generated content (AIGC) recommendation unit, giving AI-generated films a new pathway into a major film award platform.
The move reflects a broader shift in the relationship between technology and cinema. 
Rather than replacing filmmakers, AI is increasingly seen as a creative tool that lowers production barriers, expands visual possibilities and allows more people to turn ideas into films, Zhang Peng, an associate professor at Nanjing Normal University, told the Global Times.
The AIGC recommendation unit, launched on June 30, attracted 2,038 entries from around the world in just over a month. After evaluation, six productions received the "Hundred Flowers AIGC Recommendation Honor," covering categories including animation, visual effects, technology, creativity, directing and short films.
For many young filmmakers, AI has opened a new path into the industry. Multiple award-winning creators said at a seminar on the sidelines of the Hundred Flowers Awards that AI tools such as Jimeng and the Seedance model helped them with visual development, shot design, dubbing and maintaining emotional continuity.
Zhang Bohang, a representative of the team behind Yi Meng (A Dream), which won the award for Best Animated Work, said at the seminar that animation had long been a dream for the team, but high production costs had previously made it difficult to bring that dream to life. "The emergence of AI has given us a way to make our dreams come true," he said.
Lu Qiwei, a representative of the creative team behind Yecha Crossing the River, which won the Best Creative Work award, said at the seminar that Seedance allows creators to input characters, scenes, visual styles and directorial ideas, then select and organize the generated material themselves.
However, filmmakers at the event also emphasized that AI does not replace human creativity. Director Liu Shuheng, whose work Out of Control received recognition, said AI had lowered the threshold for creating visual images while raising the expectations for creators' decisions. 
"AI makes it easier to create a picture, but it also makes people think more about why they choose to shoot it this way," Liu said at the seminar.
The shift is not limited to AI-powered filmmaking. The awards are also expanding recognition for emerging forms of storytelling.
The 38th Hundred Flowers Awards also introduced a new short-drama recognition section, marking the first time the awards had recognized short dramas. It marked the first time the awards had included short dramas in their recognition system, organizers said.
AI also featured prominently in the event's audience experience. Global Times reporters observed interactive installations that allowed audiences and celebrities to generate personalized digital keepsake photos, while AI was also used during the red-carpet livestream to provide real-time commentary, answer viewer questions and enhance visual backgrounds.
The Hundred Flowers Awards' embrace of AIGC comes as major Chinese film festivals increasingly explore AI's role in cinema. 
Since its launch in 2024, the Beijing International Film Festival's AIGC Film Section has been the first dedicated section at a major film festival worldwide to focus on AI-powered image-making. Meanwhile, the Shanghai International Film Festival this year has launched a new "AI Studio" section, aiming to create the first experimental platform dedicated to exploring AI-assisted collaboration in film production.
From competition entries to audience experiences, these developments suggest that AI is no longer just a behind-the-scenes production tool, said Zhang.
"AI is gradually moving beyond being a filmmaking tool and becoming part of the broader film festival ecosystem," Zhang noted. 
"From AI-generated films to short dramas, the move also shows how China's mainstream film platforms are embracing emerging formats and recognizing new forms of storytelling."
。    9월 9일부터 점심 유예 오후 3시까지…CCTV 단속 오전 9시~오후 9시로골목상권·전통시장 이용 편의 높여…주정차 금지구역은 기존대로 단속                   최동민 동대문구청장 프로필 사진. 동대문구청 제공서울 동대문구는 주민 불편을 줄이고 골목상권과 전통시장 이용 편의를 높이기 위해 불법주정차 고정형 폐쇄회로(CC)TV 단속 유예시간을 확대한다고 26일 밝혔다.구는 현재 오전 11시부터 오후 2시 30분까지 적용하는 점심시간 불법주정차 단속 유예시간을 오후 3시까지 30분 연장한다. 오전 7시부터 오후 10시까지였던 고정형 CCTV 단속 운영시간도 오전 9시부터 오후 9시까지로 3시간 단축한다. 변경된 단속 기준은 다음 달 9일부터 적용된다.이번 조치는 이른 아침부터 시작되는 주정차 단속에 따른 주민들의 과태료 부담과 단속 피로도를 낮추고 지역 상권 이용을 활성화하기 위해 마련됐다. 특히 맞벌이 가정 등이 자녀의 등·하교를 위해 잠시 주정차했다가 일반구역보다 높은 어린이보호구역 과태료를 부담하는 사례 등 주민 불편이 이어졌다고 구는 설명했다.구는 단속시간 조정으로 골목형상점가와 소규모 음식점, 전통시장 등의 이용 편의가 높아질 것으로 기대하고 있다. 차량 승·하차나 택배 배송 등 생업 과정에서 불가피하게 발생하는 주정차에 따른 부담도 줄어들 전망이다.다만 보행자 통행이나 교통 흐름을 방해하는 차량에 대한 단속은 계속한다. 보도와 횡단보도, 교차로 모퉁이, 안전지대, 버스정류소, 소화전, 소방차 통행로, 어린이보호구역 등 도로교통법상 주정차 금지구역 위반 차량도 단속 대상이다. 교통소통에 지장을 주는 장시간 불법주정차 차량에 대한 현장 단속도 이어간다.구는 지난 5월부터 현장 단속공무원이 불법주정차 단속에 앞서 방송으로 차량 이동을 유도하는 ‘불법주정차 단속 예고제’도 운영하고 있다.최동민 동대문구청장은 “불법주정차 단속은 과태료 부과가 목적이 아니라 보행자의 안전을 확보하고 원활한 교통환경을 조성하기 위한 것”이라며 “CCTV 단속시간 조정 등을 통해 주민들이 체감하는 불편은 줄이고 꼭 필요한 곳에서는 실효성 있는 단속이 이뤄지도록 하겠다”고 말했다.。

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